Shapeshifted (2020)

Shapeshifted was Yoli’s solo show featuring installations, videos, photographs, sculptures and a live performance; curated by Tricia Avant and shown at the Chan Gallery at Pomona College in Claremont, CA.

Yoli brought together the personas of Coachilicue and Shapeshifter, connected via the themes of roots, rooting, rootedness, and the root chakra. The root becomes a metaphor for safety, home, family, sexuality, instinct, one’s relationship to their ancestors, the earth, and blood. In this cosmology, Coachilicue is an intergalactic cactus consciousness who on Earth is honored as a deity. The embodiment of Coachilicue is inspired by Yoli’s origins in the so-called Coachella Valley and the Nahuatl teotl/diosx/god Coatlicue. Coachilicue is the patron of shapeshifters and genderfluid beings.

Yoli also embodies Shapeshifter a persona and “being” inspired by the Nahuatl concept of Nahualism, the ability for a human being to shift into other animal forms, and Huehuecoyotl, the trickster Coyote archetype.  Shapeshifter becomes a humorous representation of our instinct that advocates for non-binary and genderqueer embodiments as natural forms of transformation. Coachilicue serves as the protective force or patron saint of Shapeshifter within this cosmology.

Both of these personas are part of a postcolonial cosmology formation informed by Yoli’s Nahuatl ancestry and commitment to re-indigenizing as a cosmic frijole remembering how to belong.

Coachilicue and Shapeshifter engage in dance, performance, ritual and play inserting themselves back into the Earth where Yoli was born and raised. It is the Coachella Valley, associated with agricultural production, that brought Yoli’s abuelos from so-called Mexico to the so-called US as farm workers. Coachilicue and Shapeshifter literally and ceremonially dig, explore, and excavate Yoli’s personal relationship to home, their roots, and their familial/ancestral relationship to communing with the land. Yoli transforms their family connection to the land from one based on labor-out-of-necessity to that of play-out-of-necessity.

The root chakra (from Westernized Hindu Energetic Systems) originally supported the development of this show. I am grateful to the South Asian & Indian holders of this knowledge way and express grief and remorse for the affects of globalization, capitalism, and new age-ism on how it has been shared. I am grateful for the ways it has brought me closer to my indigenous ancestors and their knowledge ways. I also stand for liberation of all medicine ways from class and caste privilege including Hindutva and Brahmanical supremacist ideologies.

 

Coachilicue: The Body Deconstructed as an Altar

Installation with sculpture and video

Coachilicue: The Body Deconstructed as an Altar focuses on Coachilicue; sharing video, activating and transforming costume pieces into installations, sharing sculpture and a poem at the base of Coachilicue’s central altar etched in sand.

Sand Text (English Translation): 

Coachilicue

Goddex of the Earth

Caretaker of the Shapeshifter

Protect us from the force of hate and the systems of oppression

Help us celebrate our Queer Instinct

and Wild Heart

Sand Text (Original):

Coachilicue 

Diosx de la Tierra 

Cuidadorx del Shapeshifter 

Protegenos de la Fuerza del Odio y los Sistemas de Opresion  

Ayudanos a Celebrar Nuestrx Queer Instinct 

Y Corazon Salvaje 

Documentation: Maria E. Pelayo (Mom) Video Editing: Yoli (formerly known as Estela Sanchez)

See Film Y Videos page for Coachilicue video

Documentation: Ian Byers-Gamber

 

Morphs: Liminal States of Physicality, 2020

Sculpture with clay, fabric and sand


Morphs are dream sculptures and talismans; they are living beings, their physical form is metamorphosis, change, and transformation. They are queerness and shapeshifting materialized. Yoli slept with different pieces of clay over a series of nights to imprint the clay with Yoli’s dreams. They then shaped the clay from a state of deep listening to the shape that the dream imprinted on the clay. The final form of the Morphs is unfired clay to allow for continued transformation and metamorphosis.

Documentation: Ian Byers-Gamber

See Sculpture Y Objects page for Morphs

 

Shapeshifted: Creaturehood as Metaphor for Queered Instinct, 2020 

Installation with photography, sculpture and video

Shapeshifted: Creaturehood as Metaphor for Queered Instinct focuses on Shapeshifter; sharing video, photos, and activating/ transforming costume pieces into installations.

Documentation: Bex Chinisie Video Editing: Yoli (formerly known as Estela Sanchez)

See Film Y Videos page for Shapeshifter video

Documentation: Ian Byers-Gamber

Photographer, Composition, Styling: Yoli Documentation: Bex Chinisie

See Photos page for more Shapeshifter photos

 

Shapeshifter (Live Performance)

During the performance, at the closing reception of the solo show, Shapeshifter kneels and offers themself at the altar of Coachilicue who protects shapeshifters and (gender)fluid beings. As an extension of the ritual, Shapeshifter moves through the space emoting and expressing as an offering of their existence to all those present and to Coachilicue.

Documentation: Chan Gallery

Documentation: Eliana Cristal Sanchez